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Ah, yes, flow.When I’m painting I feel part of the paint. I’m not aware of anything but the paint or the chemicals I’m using.
—Carl Apfelschnitt, BOMB 1, 1981
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graffiti - Porto Alegre - série novembro 2011 - 18 by Luiz Filipe Varella on Flickr.
Porto Alegre Graffiti
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More of Daikichi Amano’s sea creatures in art.
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"I always thought that I was an important musician. If you don’t have that confidence, why would you go on and do it? People accuse artists of being narcissists — of course we are! If we don’t like ourselves, who’s going to like us? No one in the world liked me, everybody hated me, but still I went on. How about that?"
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"The most recent offering was Ashes to Ashes (1995). Created by Piper upon learning that an exhibition she was to participate in at L.A. MOCA was being sponsored by Philip Morris, the work consists of a typed story about her parents’ deaths from lung cancer, as well as photographs of each when they were young. The piece, not surprisingly, was rejected by the show’s organizers, and Piper refused to provide another option. Such refusals—to compromise, to censor herself, to provide agreeable work—are central to Piper’s practice and have made her an important, and controversial, artist for the past four decades."
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Tucker: Not prepared at all. I feel like we were the generation that grew up in the ’80s. I mean that was just, you know, of course if you’re a middle class kid, you’re going to go to college. Like, there was grant money, there was funding, there were jobs. You had the choice of which job you were going to have. To suddenly be this generation and to have children and be sort of set up with your chosen profession and then to have those jobs just go away — I think it’s been a shock.
Ryssdal: You are not, by any means, a single mom; you are married, you have a husband, and all of that jazz. But he travels for work — he’s a documentary filmmaker. Which led you to write another song, which is my favorite song on this album, as a matter of fact, called ‘Half a World Away.’ Song excerpt, ‘Half a World Away’
Ryssdal: It’s really hard to do things today, when one parent’s working, one’s with the kids. I mean, you have to make these choices that we’re all making now. And you do it with a huge sense of sacrifice.
Tucker: Yeah. I mean that, it’s definitely part of both being artists and loving what we do. And my husband’s extraordinarily talented, and the documentary he made in Africa is extremely important. It’s about antiretroviral treatment for AIDS patients.Ryssdal: We should give his name here. It’s Lance Bangs. Tucker: Lance Bangs. And the film that he made is called ‘The Lazarus Effect.’
Ryssdal: And not to turn it on its head, he’s away 75 percent of the time. That means you’ve got the kids 75 percent of the time.
"The musician’s life in a down economy | Marketplace From American Public Media
life complications. sounds so familiar… got total deja-vu listening to this interview…
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Franz Kline’s Rather Large Liquor Bill - ARTINFO.com
how am i not surprised! : )
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"Deceased artist Larry Rivers’ archives, including the video and the 45-minute film made from them, were recently sold by his foundation NYU’s archives, despite requests from Tamburlini, now 43, that they be destroyed. Here is how the videos’ creation is described in The New York Times:"
One Woman’s Child Pornography Is Her Father’s Idea Of Art
a difficult call.
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Karen Ann Myers - Never is a Promise #3
one last. i like a few of her prints, too. tho, most of the mixed media stuff just looks like studies for the collages, i can see a klimt influence with her patterns.
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About me
.:|:. Graffiti .:|:. Street Art .:|:.
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Creative, Graphic Designer, Marketing Consultant.
http://flavors.me/reelaesthete
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